1788-1857 Norwegian 1857). Norwegian painter and collector, active in Germany. His paintings, imbued with Romantic and patriotic sentiments, had a strong influence on the landscape tradition both in Germany (especially Dresden) and in his native Norway.  Related Paintings of Johan Christian Dahl :. | Window with a view of Pillnitz Castle (mk10) | Frederiksholms Canal in Copenhagen with Christian IV's Brewery | norwegian mountain landscape | View of Pillnitz Castle from a Window (mk22) | Evening Landscape with Shepherd |
Related Artists:
DERUET, Claude
French Baroque Era Painter, 1588-1660 was a famous French Baroque painter of the 17th century, from the city of Nancy. Deruet was an apprentice to Jacques Bellange, the official court painter to Charles III, Duke of Lorraine. He was in Rome between ca. 1612 and 1619, where - according to Andre Felibien - he studied with the painter and etcher Antonio Tempesta. During his stay in Rome, he painted the Japanese samurai Hasekura Tsunenaga on a visit to Europe in 1615. Deruet was made a noble by the Duke of Lorraine in 1621, and was then made a Knight of the Order of St Michel in 1645 by Louis XIII, who had in 1641 absorbed most of Lorraine into France. He had a luxurious residence in Nancy, named La Romaine, where Louis XIII and his Queen stayed in 1633. Claude Lorrain was an apprentice to Claude Deruet in 1623 for one year.
Pieter Lastman
(1583 - 4 April 1633 (buried)) was a Dutch painter . Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid a lot of attention to the faces, hands and feet. Pieter Lastman was born in Amsterdam, the son of a town-beadle, who was dismissed in 1578 for being a Catholic. His mother was an appraiser of paintings and goods. His apprenticeship was with Gerrit Sweelinck, the brother of Jan Pieterszoon Sweelinck. Between approximately 1604 and 1607 Lastman was in Italy, where he was influenced by Caravaggio (as were the painters of the Utrecht School a few years later) and by Adam Elsheimer. Back in Amsterdam he moved in with his mother in the Sint Antoniesbreestraat, living next to mayor Geurt van Beuningen. Lastman never married although he promised to marry the sister of Gerbrand Adriaensz Bredero. Because of his health Lastman moved in with his brother in 1632. He died the next year and was buried in the Oude Kerk.
Felice Ficherelli
Italian painter , b. 1603, San Gimignano, d. 1660, Firenze Firenze,Italian painter. His most original works were easel pictures, for private collectors, often of cruel and violent subjects, which he interpreted with a morbid sensuality and ambiguous tenderness. He was brought to Florence when very young by the collector Conte Alberto Bardi (d 1632), who arranged for him to study with Jacopo da Empoli and to copy works by Andrea del Sarto. Ficherelli's clear compositions and luminous drapery, which remain evident throughout his career, reflect this training. In the early 1630s he was attracted by the delicate sfumato effects of Francesco Furini and developed a style close to that of Cecco Bravo; his works of this period include the Sacrifice of Isaac (Florence, priv. col., for illustration see Gregori, 1968, p. 26) and the Martyrdom of St Agatha (priv. col., see Cantelli, fig. 338). There followed in the late 1630s Tarquin and Lucretia, which is known in several versions (e.g. Rome, Accad. N. S Luca), the theatrical Julia Receiving the Bloodstained Garments of Pompey (Genoa, priv. col., see 1986 exh. cat., pl. 1.208), an Allegory of Patience (Florence, Bigongiari priv. col., see Gregori, 1974, fig. 23) and Antiochus and Stratonica (Auckland, C.A.G.).